Bent Gabrielsen For Georg Jensen Silver And Spectrolite Ring Model 176

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SOLD

REF SQ9437428

Very rare modernist and extremly elegant ring designed by Bent Gabrielsen for Georg Jensen

Circa 1970’s
Silver and spectrolite
Model 176 Georg Jensen
Size 53
Diam 16,5 mm
Length 29 mm
Marking 925 S – post 1945 stamps (Georg Jensen in dotted oval) – Bent Gabrielsen mark – 176

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REF SQ9437428

Very rare modernist and extremly elegant ring designed by Bent Gabrielsen for Georg Jensen

Circa 1970’s
Silver and spectrolite
Model 176 Georg Jensen
Size 53
Diam 16,5 mm
Length 29 mm
Marking 925 S – post 1945 stamps (Georg Jensen in dotted oval) – Bent Gabrielsen mark – 176

REF SQ9437428

Very rare modernist and extremly elegant ring designed by Bent Gabrielsen for Georg Jensen

Circa 1970’s
Silver and spectrolite
Model 176 Georg Jensen
Size 53
Diam 16,5 mm
Length 29 mm
Marking 925 S – post 1945 stamps (Georg Jensen in dotted oval) – Bent Gabrielsen mark – 176

Bent-Gabrielsen.jpg

BENT GABRIELSEN

(1928 – 2014)

Bent Gabrielsen qualified as a goldsmith in 1949 after serving his apprenticeship with the goldsmith Ejler Fangel in Copenhagen. He had planned to be a carpenter like his grandfather but since apprenticeships were scarce, the only available position was as a goldsmith’s apprentice. Gabrielsen was among the first group of students at the Goldsmith’s Academy from where he graduated with top grades in 1953. He was immediately hired by the Hans Hansen Solvsmedie and worked there until 1969. By the time he left he was responsible for the firm’s entire production. After leaving the Hans Hansen company, Gabrielsen set up his own workshop called “Gabrielsen’s Guldsmedie”. He kept his business small with he and his wife the only employees. A large part of his production was sold in Japan. Bent Gabrielsen won the Lunning Prize in 1964. As Erik Bohr, Chairman of the Lunning Committee wrote, “Bent Gabrielsen’s jewelry carries absolute conviction as to its function; his handling of materials is so restrained and well considered that one feels this could hardly be otherwise. His jewelry is simple and clearly constructed, often with links connecting naturally with each other so that the complete piece makes up a beautiful whole. Every single detail of his things is worked out. There are no false effects. He does not take the easy way out.” From Bent Gabrielsen, 40 years with jewelry at the Trapholt Museum of Modern Art, Kolding, Denmark 1994